![]() ![]() This also gives a significant low end boost to offer a big, beefy sound. In this curve, the EQ still raises the highs and lows of the acoustic guitar, but doesn’t roll off the highest frequencies to give a bright sound. 4: The highs and lows are accented, and the midrange scooped to make space for vocals. Taken together, these three response dips still reduce the midrange, but do so with more precision.Īnother option is wanting a “big” sound to accompany a solo singer, but not overwhelm the vocals (Fig. 3: Note how the Low, Lo Mid, and High Mid settings have been tweaked to affect three specific midrange resonances. But of course, you don’t have to imitate the miked sound, and you can use EQ to enhance or reduce particular frequencies for specific applications.Īs just one example, a guitar might have additional resonances you want to reduce (Fig. If you don’t have a miked acoustic guitar sound as a reference for comparison, the EQ settings above are fairly consistent “ballpark” settings. 1, and note how the EQ’ed piezo pickup plot at the bottom is much closer to the miked sound.
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